Boomerang by Ikechukwu Iwuagwu

Photo by @ikennaogbenta

Into the wind

thrown caution

by crowns and seals

grey with folly and tricks,

drunk with immunity

the scythe comes thus,

door to door

illegal tenders enfeebled

Scepters wilting

Orville's engine roar in vain

The thirsty fertile land, sprouted spiky tares

when you left her sumptuous thighs

in quest of side-chicks

why scared to reap your harvest?

Perhaps while others tilled their farms,

you lent your tools to their distant soils

Now you must wallow your farm on nude soles

Harvest, forthwith upon us

How good a green finger you've been

is reflective of the tares whose spikes

pierce in lovely style, your desperate soles

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Dalu's Diary by Ogechi Ezeji : Children's Literature in Nigeria is Coming Back

I felt like a child once again, after reading Ogechi Ezeji’s Dalu’s Diary, a book of fiction for children and adults alike.The feeling I got from reading this work is akin to the one I got from reading Chinua Achebe’s Chike and the River, Onuora Nzekwu’s Eze Goes to School, Cyprian Ekwensi’s The Drummer Boy and all other great children fictions of Nigeria’s literary golden age, so many years ago.
In the story, little Chukwudalu Aniche is obsessed with his diary, which he kept and wrote in at every turn of an important event that moves him to write. He initially lived in Owerri with his parents, Mr and Mrs Aniche and his beloved uncle Akachi, before his accountant father was transferred to Abuja, on account of his honesty and determination towards his job.
Through Dalu’s diary, we are able to understand the inner workings of the young boy’s mind, his family, his closeness with his uncle, his view of his maternal aunt and her erratic daughter and most of all, his perception of his new sch…

Writers against the Bullying of Otosirieze Obi-Young and the Obfuscation of Truth

A STATEMENT BY WRITERS IN SUPPORT OF OTOSIRIEZE OBI-YOUNG

In light of recent tweets and threads going around about the former Deputy Editor of Brittle Paper and the resistance to what many consider an unfortunate muzzling of truth, we, his colleagues and friends, would like to make a few things clear:

We have worked with Otosirieze Obi-Young for years, have disagreed with him on many occasions, and never have we felt disrespected or stifled by him.

We know and have often celebrated his firm commitment to diversifying the literary scene, giving young writers visibility, his efforts to make sure that prizes think of more writers than the already-known, especially those writers living on the continent; his push for the establishment of the Brittle Paper Awards is one example of concrete ways in which this commitment has been put to work. On Facebook, we have seen him talk passionately and with deep knowledge about the state of African writing and what needs to be done to enhance it, and …

Chetachi Igbokwe: What it Means to Attend Chimamanda Adichie’s Writing Workshop

Chetachi Igbokwe is a final year student of English and Literary Studies at the University of Nigeria, Nsukka. He is the current editor of the University of Nigeria’s student journal, The Muse, a journal of creative and critical writing, founded by Chinua Achebe in 1963. He is a 2019 alumnus of the Purple Hibiscus Creative Writing Workshop, facilitated by the Nigerian writer, Chimamanda Ngozi Adichie.

What was it like having to be taught by the amazing Chimamanda Ngozi Adichie? Was it your first time of applying?

CHETACHI IGBOKWE: Thanks to Black Boy Review for affording me this platform. I respect Chimamanda Ngozi Adichie and being taught by her was a great deal for me. Having read everything she has published thus far, starting from her first novel, Purple Hibiscus, which was a tour de force, it is evident that every generation must feel blessed to be graced with a writer like her. Originally, I knew about the workshop from close friends. I also knew how very competitive it was but I…

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